Media Archeology Projects – Spring 2022
We tend to think of the “digital” as a singular, monolithical period in media history….yet, there are actually many phases of the digital/electronic, as these media archeology projects explore. Each […]
We tend to think of the “digital” as a singular, monolithical period in media history….yet, there are actually many phases of the digital/electronic, as these media archeology projects explore. Each […]
New page added with links to final projects and multimedia presentations/ alternative theory projects for The Greek “Weird” Wave seminar, and the graduate Film Theory through the Senses course. Click […]
Final post for 2020: A special page dedicated to zoom teaching during the Fall 2020 semester. Thanks to all my students for being open to experimentation, and for embracing the […]
The Visualizations page has been updated to include Visualizations projects and multimedia presentations/final projects from the Fall 2020 Mind Games seminar! Students produced outside the box multisensory projects that really […]
Final projects for the graduate seminar, Interactive History: Digital Media as Cultural Memory Prostheses, Fall 2020! Click >>here << for more. Thanks to everyone for their amazing contributions!
Check out the Fall 2019 multimedia presentations for the undergraduate course, the Greek “Weird” Wave, curated on this page. For more, visit the Weird Wave Archive.
Descriptions and links to final projects / final research multimedia presentations will be posted next week. Students, please visit this page and fill out the required information.
The collaborative Weird Wave Archive is now live! Thanks to the students from the Greek “Weird” Wave undergraduate course for contributing to this growing archive. Check back and subscribe for […]
Click here to visit the final projects from the Interactive History: Digital Media as Cultural Memory Prostheses graduate seminar, Fall 2018.
Check out the collection of student visualization assignments for the undergraduate course Mind Games in Film: Analyzing Narrative Complexity in Transnational Cinema, NYU, Spring 2018.